This week I am focusing on artists based in the UK (hence the photo of Joan Collins, glamorously posed with records).
Placebo, “Nancy Boy” (performed live on “Later… with Jools Holland,” 1997; studio version appears on the album Placebo, 1996) and “Jesus’ Son” (performed live for BBC Radio 6 Music at Maida Vale, 2016; studio version appears on the compilation album A Place for Us to Dream, 2016). Sometime last week, my favorite presenters on BBC Radio 6 Music, Radcliffe & Maconie, started their program with Placebo’s “Nancy Boy.” The band has been on the periphery of my musical tastes for many years, ever since their cover of Kate Bush’s “Running Up That Hill” back in 2003, and I heard “Nancy Boy” and various other singles at different points, but only now is the band’s discography really coming to the fore for me. I like that Brian Molko’s intercontinental upbringing is evident in his singing – although it is arguably even more apparent when he talks, his accent shifting from word to word – and there is something aesthetically pleasing in how his nasal, nationally-ambiguous voice meshes with the heavy, sometimes menacing demeanor of the band’s music.
The Duke Spirit, “Serenade” (appears on the Serenade EP, 2016). “Serenade” has gotten quite a bit of play on the Radcliffe & Maconie show as well, and I appreciate that since this (even after more than a decade) up-and-coming English band’s single has a deep sense of mood and atmosphere, not unlike the music of Placebo.
Honeyblood, “Love Is a Disease” (appears on the album Babes Never Die, 2016). Scottish duo Honeyblood is another constantly-played favorite from the Radcliffe & Maconie show, and this particular song is my favorite track from the band’s newest album. I think that musicians Stina Marie Claire Tweeddale and Cat Myers are relatively new on the scene (Honeyblood was formed four years ago) but after a little more growth, they could become the next Sleater-Kinney.
Meilyr Jones, “How to Recognise a Work of Art” (music video) and “Don Juan” (both appear on the album 2013, 2016). For a different tack, Welsh singer-songwriter Meilyr Jones is a breath of fresh air for those who long for a lovely, feather-light voice and some classical, baroque and folk sounds within their popular music choices. (He apparently studied classical music at some point, either formally or in his spare time, according to this clip.) For years, Jones was the frontman of the band Race Horses, who made more “rock” types of music (see “Pony” and “My Year Abroad”), but I think Jones’s voice is better suited to his solo record’s many delicate melodies.
Hooton Tennis Club, “Lauren, I’m in Love!” (appears on the album Big Box of Chocolates, 2016). I’ll close with perhaps the sunniest song I’ve encountered in some time, an ode (quite fittingly, given the underlying theme of this post) to BBC Radio 6 Music presenter Lauren Laverne. Hooton Tennis Club, a band of English fellows in their twenties, have a lot of potential; “Lauren” is the only song on their second album, Big Box of Chocolates, that really stands out to me, but what a song it is – truly delightful stuff.