Director Ceyda Torun with some of the stars of her new documentary, Kedi.
Here are nine new movies due to be released in theaters this January, all of which have been directed and/or photographed by women. These titles are sure to intrigue cinephiles and also provoke meaningful discussions on the film world, as well as the world in general.
JANUARY 6: Underworld: Blood Wars (dir. Anna Foerster) – Sony Pictures synopsis: “The next installment in the blockbuster franchise, Underworld: Blood Wars follows Vampire death dealer, Selene (Kate Beckinsale) as she fends off brutal attacks from both the Lycan clan and the Vampire faction that betrayed her. With her only allies, David (Theo James) and his father Thomas (Charles Dance), she must stop the eternal war between Lycans and Vampires, even if it means she has to make the ultimate sacrifice.”
JANUARY 11: Everybody Knows… Elizabeth Murray (dir. Kristi Zea) – Film Forum synopsis: “Kristi Zea brings to her debut, Everybody Knows… Elizabeth Murray, all the visual smarts she developed as a costume designer and award-winning production designer for Martin Scorsese and Jonathan Demme, among others. A friend of Murray’s since the 1980s, the filmmaker captures the vivacious artist’s flair for color and shape. Murray’s zany, fractured canvases feature paeans to domesticity (crying children, coffee cups) as they fairly burst with the remarkable good humor and energy the artist herself exhibited even in the final days of her life. Murray’s journals are read by Meryl Streep and art world luminaries Roberta Smith, Paula Cooper, Jennifer Bartlett, and Vija Celmins testify to both her life and work. An exhibition of Murray’s work, curated by Carroll Dunham & Dan Nadel, is on view through January 29 at CANADA (333 Broome Street, NYC).”
JANUARY 13: The Bye Bye Man (dir. Stacy Title) – Coming Soon synopsis: “People commit unthinkable acts every day. Time and again, we grapple to understand what drives a person to do such terrible things. But what if all of the questions we’re asking are wrong? What if the cause of all evil is not a matter of what… but who?
“From the producer of Oculus and The Strangers comes The Bye Bye Man, a chilling horror-thriller that exposes the evil behind the most unspeakable acts committed by man. When three college friends stumble upon the horrific origins of the Bye Bye Man, they discover that there is only one way to avoid his curse: don’t think it, don’t say it. But once the Bye Bye Man gets inside your head, he takes control. Is there a way to survive his possession?
“Debuting on Friday, January 13th, this film redefines the horror that iconic date represents—stretching our comprehension of the terror this day holds beyond our wildest nightmares.”
JANUARY 13: Claire in Motion (dirs. Annie J. Howell and Lisa Robinson) – Synopsis from the film’s official website: “Claire in Motion is the second feature film from filmmaking team Lisa Robinson and Annie J. Howell. Exploring a short period of time inside one woman’s life-altering crisis, the story begins three weeks after math professor Claire Hunger’s (Betsy Brandt) husband has mysteriously disappeared, the police have ended their investigation and her son is beginning to grieve. The only person who hasn’t given up is Claire. Soon she discovers his troubling secrets, including an alluring yet manipulative graduate student with whom he had formed a close bond. As she digs deeper, Claire begins to lose her grip on how well she truly knew her husband and questions her own identity in the process. Claire in Motion twists the missing person thriller into an emotional take on uncertainty and loss.”
JANUARY 13: MA (dir. Celia Rowlson-Hall) – IFC Center synopsis: “In this modern-day vision of Mother Mary’s pilgrimage, a woman crosses the scorched landscape of the American Southwest. Reinvented and told entirely through movement, the film playfully deconstructs the role of this woman, who encounters a world full of bold characters that are alternately terrifying and sublime. MA is a journey into the visceral and the surreal, interweaving ritual, performance, and the body as sculpture. The absence of dialogue stirs the senses, and leads us to imagine a new ending to this familiar journey. The virgin mother gives birth to our savior, but is also challenged to save herself.”
JANUARY 13: Vince Giordano: There’s a Future in the Past (dirs. Dave Davidson and Amber Edwards) – Cinema Village synopsis: “What does it take to keep Jazz Age music going strong in the 21st century? Two words: Vince Giordano — a bandleader, musician, historian, scholar, collector, and NYC institution. For nearly 40 years, Vince Giordano and The Nighthawks have brought the joyful syncopation of the 1920s and ‘30s to life with their virtuosity, vintage musical instruments, and more than 60,000 period band arrangements. This beautifully crafted documentary offers an intimate and energetic portrait of a truly devoted musician and preservationist, taking us behind the scenes of the recording of HBO’s Grammy award-winning ‘Boardwalk Empire’ soundtrack, and alongside Giordano as he shares his passion for hot jazz with a new generation of music and swing-dance fans.”
JANUARY 20: Kedi (dir. Ceyda Torun) – Synopsis from the film’s official website: “Hundreds of thousands of Turkish cats roam the metropolis of Istanbul freely. For thousands of years they’ve wandered in and out of people’s lives, becoming an essential part of the communities that make the city so rich. Claiming no owners, the cats of Istanbul live between two worlds, neither wild nor tame — and they bring joy and purpose to those people they choose to adopt. In Istanbul, cats are the mirrors to the people, allowing them to reflect on their lives in ways nothing else could.
“Critics and internet cats agree — this cat documentary will charm its way into your heart and home as you fall in love with the cats in Istanbul.”
JANUARY 20: Staying Vertical (dir. Alain Guiraudie) (DP: Claire Mathon) – Film Society of Lincoln Center synopsis: “Léo (Damien Bonnard), a blocked filmmaker seeking inspiration in the French countryside for an overdue script, begins an affair with a shepherdess (India Hair), with whom he almost immediately has a child. Combining the formal control of his 2013 breakthrough Stranger by the Lake with the shapeshifting fabulism of his earlier work, Alain Guiraudie’s new film is a sidelong look at the human cycle of birth, procreation, and death, as well as his boldest riff yet on his signature subjects of freedom and desire. The title has the ring of both a rallying cry and a dirty joke—fitting for a film that is, above all else, a rumination on what it means to be a human being, a vertical animal.”
JANUARY 27: Sophie and the Rising Sun (dir. Maggie Greenwald) – Monterey Media synopsis: “Set in the autumn of 1941 in Salty Creek, a fishing village in South Carolina, the film tells the dramatic story of interracial lovers swept up in the tides of history. As World War II rages in Europe a wounded Asian stranger, Mr. Ohta (Takashi Yamaguchi), appears in the town under mysterious circumstances. Sophie (Julianne Nicholson), a native of Salty Creek, quickly becomes transfixed by Mr. Ohta and a friendship born of their mutual love of art blossoms into a delicate and forbidden courtship. As their secret relationship evolves the war escalates tragically. When Pearl Harbor is bombed, a surge of misguided patriotism, bigotry and violence sweeps through the town, threatening Mr. Ohta’s life. A trio of women, each with her own secrets – Sophie, along with the town matriarch (Diane Ladd) and her housekeeper (Lorraine Toussaint) – rejects law and propriety, risking their lives with their actions.”